Yes, you read that correctly. Make yourselves comfortable, kiddies, and get a load of THIS whacky Batman story, from 1970.
First, a little necessary background information, especially for those who aren't familiar with the weirder details of Beatles history:
The Beatles (John Lennon, Paul McCartney, George Harrison, Ringo Starr) pretty much dominated the entertainment news and music culture of the 1960s and early 1970s, even after the band officially broke up in 1970. Rumors and conspiracy theories about the group permeated the news, but none more so than the "Paul is Dead" claim. The story was that Paul, while working on the album Sgt. Pepper's Lonely Hearts Club Band, got angry, stormed out of the recording session, got in his Aston-Martin, crashed it, and died. Terrified that they would lose their audience (and their income) without Paul, the surviving Beatles used their influence to keep the news of Paul's death secret, and they found a look-and-sound-alike to replace him in the group. However, the Beatles being who they were (particularly practical-joker John Lennon), they couldn't resist sneaking references to Paul's death into their albums. Those clues, so the story goes, involved things like cryptic statements heard in songs played backwards, and symbolic imagery on album covers (such as the fact that on the cover of the Abbey Road album, Paul is the only Beatle who's barefoot, and he's walking out of step with the others).
No joke, this was a big deal. People used to get together and listen to Beatles albums backwards ALL the TIME, looking for clues to Paul's death. I was just a kid at the time, but I REMEMBER people talking about it ("No -- really, man! If you play "I am the Walrus" backwards ...!"). This rumor lasted WAY beyond the Beatles breaking up. Apparently a few people out there STILL believe it.
Then there's Batman #222, in which Batman and Robin actually try to SOLVE the mystery of "Paul is Dead."
For the story, for copyright and branding purposes, the Beatles were renamed to the Oliver Twists (the "Oliver Twists"? Seriously?), and John, Paul, George, and Ringo were called Glennan, Saul, Hal, and Benji (and, apparently, they recorded the song "Pink Submarine," rather than "Yellow Submarine"). For the sake of simplifying my story coverage here, I'm gonna call the Beatles by their proper names in my text instead of the made-up names.
The tale opens at Hudson University, where a bunch of students (including Dick Grayson) are listening to the radio and playing Beatles songs backwards: "'Sure was a ball, [Paul] -- too bad it's over' Who else could [Lennon] mean -- but [Paul McCartney]?'"
An announcement then comes over the radio that the Beatles are coming to Gotham City to prove that Paul is alive and well. Dick's buddies then talk him into seeing if Bruce Wayne can pull some strings to get the Beatles to appear at the university: "Your guardian ... is a big wheel in Gotham -- Maybe HE could swing it as a favor for you?"
Dick calls Bruce, and Bruce actually goes along with the idea -- mostly because, as Batman, he's intrigued by the conspiracy theory.
Surprise, surprise, the Beatles agree to meet with Bruce. They take a plane to Gotham and hop into Bruce's limo, whereupon Alfred whisks everyone away to Wayne Manor. They look like the Beatles, all right, complete with Sgt. Pepper outfits (except I always thought "Paul" in this story looked more like Jeff Lynne from Electric Light Orchestra [ELO], sans glasses).
(Note: Throughout the story, readers are also treated to artist Irv Novick's tendency to include "ghosts" of super-heroes accompanying their alter-egos).
Dick and Bruce (or, the Batman and Robin ghosts) agree that, for now, Paul appears to be the real Paul. Paul then explains where he thinks the rumors of his death came from:
While Alfred shows the Beatles to their rooms, Dick confesses to Bruce that he recorded Paul's voice while they were talking. (Note: Recording someone's voice without their knowledge and/or permission is against the law, folks!) Dick then takes Bruce to the Batcave and plays the new tape of Paul speaking against a recording of him singing. Dick thinks that because the sonogram shows that the voice patterns in the two tracks are totally different, Paul must be an imposter. At least, he thinks that until Bruce points out that speaking and singing voices would have entirely different patterns, anyway (and you can almost SEE the implied "dumbass" on Bruce's face when he says so).
Oh, but Dick gets another chance to prove his theory:
(Yes, Robin is also a thief. Remember that, folks.)
Unseen by the Beatles, Bruce drags Robin to the Batcave. Robin wakes up and confesses that he tried to steal Paul's tape-recorder, but Paul must have woken up and followed him. Bruce wonders why Paul is desperate to guard his recorder, and wonders if it's proof that he's not the real Paul. (Gee, Batman, MAYBE the poor guy didn't want his stuff taken by a burglar. Ever think of THAT?)
The next day, it's Bruce's turn to concoct a plan:
(Maybe they're terse because there's an obvious burglar problem in the house ...?)
(Anyone want to guess as to WHY Dick thinks "What a cutie!"? I gotta admit, that's slang usage I've never heard before.)
Bruce and Dick are bummed because having a recording of the Beatles singing together is meaningless to their investigation (even though they now have a WAY COOL bootleg tape of the Beatles singing "Birthday" a cappella).
Batman then resorts to bugging the Beatles' outside calls -- proving once again that he was probably lying through his teeth to Morgan Freeman in the movie The Dark Knight. Batman picks up what he thinks is a call between Paul and a local recording studio, and he and Robin are soon off to set up more bugging equipment. However, when Batman and Robin get to the recording studio, instead of finding the Beatles there, they find a bunch of armed thugs, who immediately start attacking.
Batman and Robin easily defeat the thugs. Batman then says he wants to get a confession from Paul rather than from the thugs. He also announces that he's figured out how to solve the "Paul is Dead" mystery --
-- including the fact that it was completely unnecessary for him and Robin to have gone to the recording studio in the first place.
Batman and Robin burst into a room where the Beatles are apparently watching David Letterman (I'm kidding -- probably Johnny Carson, actually. You'd think they'd be watching Ed Sullivan instead.):
That's right, kiddies -- the guy who beat up Robin earlier in the story was none other than John Lennon. It gets worse:
Yep. It turns out that Paul is the only real Beatle in the room. The rest got killed in a private jet crash in the Himalayas, during a trip to "groove with the mysteries of the East." Paul thought he could keep them "alive" for their devoted fans by hiring "three unknown look-alikes to stand-in for them," complete with "minor plastic-surgery" and voice training. Paul then invented the rumor of his own death to pull attention away from the other Beatles, so no one would suspect anything had happened to them. Problem was, John Lennon got greedy and started going to any lengths to protect their secret.
Yeah, you can see where THIS is headed now. Paul immediately puts together the group WINGS -- er, I mean -- The Phoenix Trio! ("Phoenix Trio?" Seriously?)
So, there you have it. Dick (Robin) Grayson is single-handedly responsible for breaking up the Beatles. The bastard.
Batman #222, 1970, "Dead ... Till Proven Alive!" Story by Frank Robbins, art by Irv Novick and Dick Giordano. Cover by Neal Adams.